My book in three books ... I'm interviewed by Mark Bowsher

I’ve been interviewed by the excellent Mark Bowsher of Rabbit Island Productions about East of England. Specifically, about three books which have been - in some way - an influence on the novel.

Here’s the interview.

Mark’s own recently-published novel The Boy Who Stole Time is out now from all good, reasonable, and slightly shabby retailers. You can find out more about his book here.

There’s still time to find more out more about (and to pre-order) East of England here.

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East of England - update 17th July

Hi all!

Here's where we are with East of England. Those of you fine folk who have already pledged to the support the book should have received an email spelling out some of this, so apologies for any duplication. As noted in that email, Unbound break down their route to publication into ten stages:

  1. Funding target reached

  2. The final draft of the manuscript is delivered.

  3. The editor edits. And edits.

  4. Cover and artwork design begins.

  5. The copy editor reviews the manuscript for consistency.

  6. Typesetter formats manuscript for printing

  7. First proofs come back and are sent to the proofreader

  8. Final edits are made

  9. Artwork finalised

  10. Final proofs go to press

Where are we? We're at stage 3 of that process. I delivered the manuscript of the novel at the weekend (after two full drafts and what felt at the time like a thorough tidy-up), and it's now in the wildly-capable hands of its editor. Those who pledged to have their (or a loved one's) name featured in the novel have had the appropriate name included... 

There'll now be a period of to-and-fro between the editor and me, first on the overall structure of the book, and then on the writing at the level of paragraph, sentence and word. Basically, the editor acts as a critical friend / constructive critic to help ensure that East of England a) makes sense b) is great c) doesn't have any errors / mistakes / unwarranted weirdness in it.

This part of the process will take a few weeks, not least as it's summer and we'd all rather be outside making sandcastles and flicking towels at each other than being hunched over a laptop, grumbling at a manuscript.  

There'll be update emails from Unbound throughout the process to publication, and I'll do the same, hopefully explaining stuff along the way. 

In the meantime, writing on other stuff continues apace. I'd tell you more, but I wouldn't want to spoil the surprise. 

The pledges / pre-orders will remain open to let other fine folk get on board to receive the acclaim and glory that being a crowd-funder and an arts patron brings. So, if you either want to get copies for others, or simply like having multiple copies o the same book on your shelves, you can make those pre-orders here

Also, if you're so minded I thoroughly recommend pre-ordering (also from Unbound) my brother Maxim's book Field Notes

Thanks!

Eamonn

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10 questions: Eamonn Griffin, author of East of England

It only occurred some time after knocking up this questionnaire format for fellow Unbound authors to maybe apply it to myself. Trust me, this website isn't a brains type of operation. Anyway, for good or ill, here's the skinny on me and my forthcoming noir-ish thriller East of England.

The artwork shown here isn't official material for the book, but was done as a favour by my younger brother Maxim - information about his own crowdfunding project Field Notes may be found here

EoE cover concept 1.jpg

1. Who are you and what’s your book about?

Strangely enough, I’m Eamonn Griffin, and my novel East of England is a noir-ish thriller set over five consecutive days in Lincolnshire. Dan Matlock is released from prison after serving a couple of years inside. He’d like to go away and to start a new life somewhere else, but when his elderly father isn’t there to greet him on the outside as promised, he knows that there’s something wrong, so he’s compelled to return to his hometown to find out what’s gone awry.

2. Why should folk read your book?

Because it’s great! Because it’s fast and dark and violent in places, and about family and honour and revenge and inevitability. About immovable objects and irresistible forces, and about the weirdness that lurks under the surface of rural communities.

3. What’s the appeal of your book?

Well, East of England is very influenced by US pulp writers of noir crime fiction. I like writers such as Joe R Lansdale, Michael Connelly, and Lawrence Block, each of whom have been something of an influence. So there’s something of the American noir thriller but displaced into eastern England – the book’s set in a slightly-fictionalised version of Lincolnshire – and there’s also something of the kinds of books that people like Ted Lewis, who wrote Jack’s Return Home, the basis of the Michael Caine movie Get Carter (and the two other film versions that are out there) used to write. It’s very much a British take on an American model, and hopefully, there’s some appeal in that for readers.   
 

4. Sounds great! Where/when can I get hold of a copy? 

Well, as of the time of writing – late June 2018 – the project is coming to the end of its crowdfunding journey, so there’s still time to back the book and to become a patron of the project. Folk can do that here: unbound.com/books/east-of-england/ - the book should be funded by 4th July 2018, after which there’ll be the chance to pre-order through the same link. It’s up to the publishers quite when the book will hit the shelves and people’s e-readers of choice, but a best guess right now would be very early 2019.   

5. Describe a typical writing day, or at least a typical day with some writing in it:

When I’m first-drafting, I aim for 1000 words per writing day. I like to write fairly quickly, as I think the speed of getting ideas and action onto the page communicates to the reader. As I’m a freelance writer full-time, the creative work has to fold around the other paid work that I do. Ideally, I’ll do other work from 8am to 2pm, then work on the current novel from 2pm till 4pm.   

6. Pick one book about writing. What it is and why have you chosen it?

I’m going to cheat slightly and opt for two. The first is Writing A Novel by Nigel Watts. This is something of a classic of the writing advice genre, and perhaps the best pound-for-pound how-to book there is. If you can, get an older copy as the book's been reissued several times with additions by others after Watts’ death, and for my money these editions aren't as effective as supports for beginning writers. It’s very much about the mechanics of story, rather than the inspirational kind of writing book, such as Bird by Bird by Anne Lamott, so bear that in mind, but it’s a very useful book to have.

The second book is On Writing by Stephen King. It’s part autobiography, and part writing advice non-fiction; the former is absolutely necessary to understand the latter half. I’m recommending this because of the audio-book, narrated by King; the personal connection that this gives is very effective. It’s well worth your time.    

If I had to pick a third (I'm a bit nerdy about this sort of thing) I'd go for Into The Woods by John Yorke, which is a great book about story structure, and which contains pretty much everything you need to know on the subject. Then again, you could pay due respect to the classics and pick up a copy of Poetics by Aristotle, which covers the same territory. And so on. I've read an awful lot of these kinds of books, and while there are loads that say good things, there's no one perfect book out there. You have to synthesise your own from your reading and your writing experiences.  

7. Pick three books that have influenced or inspired you as a writer:

Blimey. It’s times like this that I wish I’d thought in more detail about the questions that I’d set for other people to answer! There’s a hundred or more, I’m sure, but here’s three to be going on with:

Bring Up The Bodies by Hilary Mantel – Wolf Hall is great, but the sequel is better. A storming thriller, a fine slice of whatever “literary fiction” is, and a marvellous dramatization of well-known history. An object lesson in the old saying that it's not the story, but the storyteller...

The Emperor’s Spy by MC (Manda) Scott – the first of Scott’s Rome series is a wonderful historical thriller as well as a sly commentary on contemporary politics and the follies of organised religion and fundamentalism. 

Freezer Burn by Joe R Lansdale – Lansdale is the real deal, a great writer of Texas-set westerns, horror, SF, semi-autobiographical coming-of-age novels, and thrillers, with a fine ear for dialogue and a knack for the absurd. This is one of his weirder creations, the story of a criminal on the run who hides out in a travelling fair because of bee-stings so bad he can pass for a sideshow attraction, and who gets into way more trouble than he could have ever done if he’d just surrendered himself to the law.  

8. Pick three desert island books - works you couldn’t live without:

The Name of the Rose by Umberto Eco – my favourite book of all time, and one I re-read every couple of years.

Fletch by Gregory McDonald – perhaps the funniest thriller ever written.

Red Dragon by Thomas Harris – forget the movie versions, this is the real thing. Perhaps the most influential thriller of the last 40 years. Absolutely indispensable.

9. Any words of writing wisdom?

In a previous life I taught creative writing in a college context, so in some ways I’ve already covered this to my heart’s content. However, there’s three things I will say:

a) Learn how your word-processing software works. Your laptop is your primary tool, so be comfortable with it. Writers’ needs here are few, so learn how to use the tool you’re using. It doesn’t take long, but it’ll save so much time in the long run. It's bewildering how many people who profess to want to write don't consider the tool they use.

b) Recognise your mistakes, and learn from them. Many’s the student who made themselves willfully blind to easily-rectifiable errors, through a combination of arrogance and ignorance. Try not to be that person.

c) Don’t have any expectations. If you’re going to write, do so because you like the activity for its own pleasures. No-one owes you anything.    

10. Let’s make a movie of your book. Give me the high-concept pitch:

A man missing. A debt due. Dan Matlock has had two years to plan revenge, but so have the forces being levelled against him. This won’t end well.

Social media contacts:

Twitter: twitter.com/eamonngriffin (@eamonngriffin)

Facebook: https://www.facebook.com/eamonngriffinwriting/

Unbound URL: unbound.com/books/east-of-england/

Previous publications:

Juggernaut: A Sequel to Dr Jekyll and Mr Hyde

Torc

The Prospect of This City

So, big thanks to me for contributing these answers to my own questionnaire! Hopefully East of England sounds of interest to you, and you'll consider backing the book if you haven't already done so.   

Cover artwork concepts for East of England

Here's a series of six cover art concepts prepared by my brother, the talented Maxim Peter Griffin, to give a flavour of East of England in visual form. 

They're in no way official, so I wouldn't necessarily expect any of them to end up as a cover to the book when it gets published, but they are - I admit - pretty cool. 

East of England is being crowdfunded via Unbound Publishing; this means pre-orders of the book are necessary to raise its preproduction costs (editing, proofreading, design, printing, the cover, advertising, promotion and distribution and so on). So, don't wait till it hits the bookshelves! As you'll see from the book's details, there are a handful of different pledge levels with escalating rewards; plus, everyone gets their name in the book as thanks. Plus, you get to be a patron of the arts, which isn't too bad, is it?

EoE cover concept 1.jpg
EoE cover concept 2.jpg
EoE cover concept 3.jpg
EoE cover concept 4.jpg
EoE cover concept 5.JPG
EoE cover concept 6.JPG

Which one's your favourite? And how do they relate to your own visual sense of the book? Again, details  - including how to support East of England - are here