10 questions: Oli Jacobs, author of Deep Down There

Another in my occasional series of short interviews with other writers. Today, it’s the turn of Oli Jacobs, author of the forthcoming Deep Down There. Here we go…

 

    1.        Who are you and what’s your book about?

It’s a question I often ask myself... as far as I’m aware, I’m Oli Jacobs and my book – Deep Down There – is about a strange hole that suddenly appears in a small cul-de-sac.

Oli Jacobs

Oli Jacobs

  2.        Why should folk read your book?

Because it’s the best gosh-darn horror book you’ll ever read. Plus, it combines elements of surburban tension, and creeping dread. And, of course, a massive hole.

 

    3.        What’s the appeal of your book?  

Finding out what’s down the hole. There’s a lot of build up with how the residents react to it, and efforts to “solve” the problem of it, but when things get weird that’s when the true horror kicks in. Not to mention when one eager resident wants to abseil 0down...

    4.        Sounds great! Where/when can I get hold of a copy? 

Deep Down There is currently available for pre-orders at https://unbound.com/books/deep-down-there/ Not only will you get the book, but you’ll get your name inside too!

Deep Down There provisional cover

Deep Down There provisional cover

    5.        Describe a typical writing day, or at least a typical day with some writing in it:

A fair few hours of procrastination, before a flurry of words in an hour or two period. It’s all in my head, it’s just getting to the fingers to tap out...

          

    6.        Pick one book about writing. What it is and why have you chosen it?

I don’t actually like reading books about writing, but I’ve heard Stephen King’s On Writing is quite the tome.

 

    7.        Pick three books that have influenced or inspired you as a writer:

The Stand – Stephen King, At The Mountains of Madness – HP Lovecraft, House of Leaves – Mark Z Danielewski

           

    8.        Pick three desert island books - works you couldn’t live without:

 Apart from the aforementioned three above... probably Leviathan – Ian Edginton, Songs of a Dead Dreamer – Thomas Ligotti, The Last Days of Jack Sparks – Jason Arnopp.

 

    9.        Any words of writing wisdom?

Always have a plan, and a good soundtrack to write to.

  

  10.        Let’s make a movie of your book. Give me the high-concept pitch:

A hole suddenly appears in a small community, unleashing not just their own inner demons, but something lurking in the very core of the Earth. Shady agencies, maddened neighbours, and whatever it is lurking... Deep Down There.

 

Social media contacts: Facebook - @OJBooks, Twitter - @Olijacobsauthor, Instagram - @olijba

 

Book URL: https://unbound.com/books/deep-down-there/


Previous publications: Kirk Sandblaster, Filmic Cuts, Bad Sandwich, The Children of Little Thwopping, Wrapped Up In Nothing, Strange Days in High Wycombe, Station 17... all can be found here: https://www.amazon.co.uk/l/B0086XR1JG


Huge thanks to Oli for playing along. Deep Down There is a project that I’ve supported on Unbound, so here’s hoping that you’ll do precisely the same and that the book’ll get into print soon!

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10 questions: Toby Howden, author of Paper Tigers: Martial Arts & Misadventure in Japan

Today's interviewee in the ongoing series of questionnaire-style friendly interrogations of fellow Unbound Publishing authors (my noir thriller East of England is on its way from Unbound - details, including how to pre-order special advance copies are here) is Toby Howden. Here's Toby to tell us all a bit more about his book:

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1. Who are you and what’s your book about?

My name is Toby Howden and my book is Paper Tigers: Martial Arts & Misadventure in Japan, a memoir about an ill-judged attempt to become the real Karate Kid whilst working in a traditional Japanese paper factory during the nineties.

2. Why should folk read your book?

Because it’s a hilarious and heart-warming tale of friendship, following your dreams and how, when things don’t go quite as planned, there’s a better story to be told. It highlights many of the funny and painful faux pas you can end up committing in foreign cultures, plus, it’s all embarrassingly true.

3. What’s the appeal of your book?

I think travelling to the “mystical Orient” to train with martial arts masters is something many people have dreamed of doing, but few have ever considered the reality of such an endeavour. There’s an enduring curiosity about traditional Japanese culture, but most Westerners experience it through the polite camera lens of a tourist, or as a well-paid, segregated English teacher. I’ve yet to come across anyone else who has worked there doing manual labour whilst attempting to become a ninja - with good reason.

4. Sounds great! Where/when can I get hold of a copy?

It’s out now in paperback and digital in the usual places – Amazon, Foyles, Waterstones etc.   

TH book.jpg

5. Describe a typical writing day, or at least a typical day with some writing in it:

My beautiful girlfriend usually wakes me with a martini as the sun rises over our private island hideaway. The sounds of the warm sea lapping on the sandy white beach drifts in through the billowing linen curtains. I fight off Ursula’s advances donning a tight black polo-neck over my muscular, tanned body and begin the first task of the day, pondering the tricky second novel.

Sorry, you mean my day…

I wake when it’s still dark, then commute far enough to ensure the complete destruction of the environment. Boring meetings, teaching and admin whilst daydreaming about writing. Home, family, kids, bedtime, wine. Not always in that order. Around ten o'clock I turn the computer on, stare at it wistfully and hit the PlayStation for an hour. At eleven o'clock I’m almost ready to begin. I open my current ‘work in progress’, check Facebook, Twitter, put some tunes on, mess about with Instagram, the news, then back to Facebook again. I‘ll then re-read my latest sonnet, ponder different fonts and maybe open more wine.

Around midnight I ignore the angry texts from my partner telling me to turn it down and come to bed, and suddenly, as if by magic, I’m in the zone and begin to write…

6. Pick one book about writing. What it is and why have you chosen it?

I’m guessing everyone’s already read On Writing by Stephen King. Brilliant for so many reasons and reassuring proof that truly great writers are not simply born overnight. Slightly more obscure but well worth checking out is Joel Stickley’s blog ‘How to Write Badly Well’, very funny and informative. 

7. Pick three books that have influenced or inspired you as a writer:

Lost in Place by Mark Saltzman, a truly hilarious and superbly written coming of age memoir about trying to get high and master Kung Fu in Connecticut USA during the 1970s.

Fantastic Mr Fox. Having three kids I get the joy and privilege of re-reading stories from my childhood. Re-visiting the Roald Dahl classics is pure inspiration. They’re a masterclass in creativity and the art of making supremely clever writing appear effortless.  

Angry White Pyjamas by Robert Twigger. A year in Japan completing the infamous Tokyo Riot Police Aikido course; made me reflect about my own martial arts experiences and persuaded me that it was something worth writing about.

8. Pick three desert island books - works you couldn’t live without:

I guess something by Ray Mears or Bear Grylls might be sensible on a desert island.

Hanta Yo by Ruth Beebe-Hill is pretty epic and definitely worth a re-read. The story of the Native American Sioux tribe. A heart-breaking book that forces you to reconsider modern definitions of ‘civilisation.’

The Wizard of Earthsea by Ursula Le Guin, a truly masterful writer, she created worlds and characters with such depth, I feel as though her books are old friends.

Can I take some pencils and a pad of paper and write one?

9. Any words of writing wisdom?

Writing a book is like reaching the summit of a mountain only to be confronted by the far more challenging mountain range of publishing; think Mordor rather than The Sound of Music.

Most people don’t care that you’ve written a book, many publishers are actually quite annoyed by the fact. Deal with it. Conversely, some people will immediately assume that you’re going to be the next famous millionaire celebrity JK, and a precious few will believe in your writing to the extent that you will be utterly humbled.

Also, ignore twats who tell you it can’t be done.  

10. Let’s make a movie of your book. Give me the high-concept pitch:

‘Wax on, wax off, wacked out!’ (Courtesy of Unbound). Or, ‘Man goes to Japan to master martial arts. Will he do it? No.’

Social media contacts:

Website: LLToby@twitter

Tobyhowden@Instagram.com

Unbound URL: https://unbound.com/books/paper-tigers

   

Huge thanks to Toby for answering my questions! As he says, Paper Tigers is available now from all good retailers, so you really don't have a reason to not pick yourself up a copy ...

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10 questions: Paul Holbrook, author of Domini Mortum

As noted in other posts in this series, these questionnaire-style interviews have come about as part of being interested in how others going through the same process - crowdfunding a novel - approach their writing. Today's guest is Paul Holbrook, author of Domini Mortum, so without any further ado (barring the now-statutory link to my own book East of England) here's Paul:

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1. Who are you and what’s your book about?

I’m Paul Holbrook, I write things that fall out of my very confused mind.

Domini Mortum is a supernatural murder mystery set in Late Victorian London. It tells the story of Samuel Weaver, an illustrator and writer for the Illustrated Police News, who helps the police with their investigations into a series of ‘orrible murders.

2. Why should folk read your book? 

It’s riveting, entertaining and just the right side of creepy. Imagine Ripper Street but with ghosts and evil cults, or Sherlock Holmes versus the devil. It will satisfy the desires of anyone who enjoys a ripping yarn!

3. What’s the appeal of your book?

The book will appeal to all those who love a twisty turny mystery, with generous dollops of grisly murder, lashings of spooky thrills, and more Victorian grime than you can shake a stick at. When I wrote the book, my first aim was to create a novelised version of one of these great Hammer/Amicus/Tigon movies, the type with Peter Cushing fighting the forces of evil, or Oliver Reed growling menacingly as he commits a murder, or even Ian Ogilvy looking dashing in his pre-Saint years. Anyone who is a fan of that great age of British horror movie will see a lot of what they love in the book.     

 4. Sounds great! Where/when can I get hold of a copy?

It is due to come out in the late summer, most likely September, and will then be available in all of the best book shops. There is even still time to get your name included in the book in the list of supporters. Imagine that, your very own name in a book!  

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5. Describe a typical writing day, or at least a typical day with some writing in it: 

A typical writing day for me always starts first thing in the morning, I like to treat it the same as a work day and be punctual and ready to go by about 8.30 or 9. I’ve found that this is the only way that I can get a satisfactory amount done in a day is if I throw myself into it early on.  Otherwise, a myriad of distractions seem to appear and before I know it the day is over and very little have been written.

I am very strict; all social media off, mobile phone in another room and forgotten about, and family know that it’s writing time and not to disturb the grouch.

I always set myself a target for the day, be it to complete a chapter, write two or three scenes, or just a word count (usually between 2 and 3 thousand words).

I write because I enjoy it though, although I have a strict structure to my day, the moment it begins to feel like work I am quite happy to just say ‘sod it’ for the day. There’s no point grinding out words that there’s no enthusiasm behind. That only makes bad words.

6. Pick one book about writing. What it is and why have you chosen it?  

For me there is only one book: On Writing: A Memoir of the Craft by Stephen King. It’s not just because it’s Stephen King who I read an awful lot of when I was in my teens and early twenties. This book is like my rulebook on how to write stuff that’s actually worthy of reading. It’s part autobiography, telling about his childhood and how he developed a love of writing, but then the second half is more like an instruction manual for writing great fiction.

I didn’t read it until I’d been writing for a few years, and it was a revelation to me. Part of this was because some of the things he recommended to do I was doing already (which made me feel quite smug) but then there were other parts that suddenly made the process of writing so much easier, especially when it came to the progression from first draft to second draft. I cannot recommend it enough.

7. Pick three books that have influenced or inspired you as a writer: 

Selected Tales – Edgar Allan Poe

A demonstration of how it is possible to delve into the recesses and dark places of the mind and create a new art form.  Poe is the perfect kind of crazy genius that I aspire to.

The Devil Rides Out – Dennis Wheatley

I discovered this book when I was very young, maybe eleven or twelve. (Bizarrely, I think my Nan had a copy.) I read it, was very confused and was not sure if I liked it that much, and put it back on the shelf and forgot about it. I found myself haunted though by images and scenes from the book though, sometimes in dreams sometimes in the sudden absence-like daydreams which I still suffer from today when suddenly filled with an idea for a story or a scene. I didn’t connect the two until I read the book when I was older, and also saw the fantastic movie adaptation, which remains one of my favourites.

That for me is something to aspire to – weaving images and pictures through words that stick with the reader and become part of their unconscious (some would call it hypnosis, I just call it clever writing)

Conversations with Spirits – EO Higgins

I never really began writing until around nine years ago, I always thought about it but never did anything. And then by chance I saw a tweet from Stephen Fry with a link to a new writing website called Jottify. It was basically a place where writers could upload their stuff for other writers to critique and enjoy, enthuse and encourage. In a fit of madness, I joined and began putting up some of my poetry. Then slowly I moved onto trying to write a short story or two.  I met a lot of great writers on the Jottify site (sadly it is no more) writers who became and still are very dear friends. The daddy of the site though was an EO Higgins, where my little stories were getting one hundred or one hundred and fifty views, his opus, Conversations with Spirits, published chapter by chapter had views in their thousands. I think by the time the Jottify site died it had had sixty-seven thousand views. It was picked up by Unbound and became one of their first published books.

I love everything about the book, the characters, the storyline, just the feel of the thing.  When I finally decided to have a go at a novel Conversations with Spirits was the benchmark I aspired to, and still is in whatever I write.

8. Pick three desert island books - works you couldn’t live without:  

Legend – David Gemmell

My dad bought me this book when I was fourteen and I immediately became lost in it. I think I may have read it twenty or thirty times now, it is part of me. It’s a fantasy novel about a huge invading army of barbarians and a small outnumbered group of men who defend the entrance to their country, literally until only a handful remain. Kind of like the Alamo but with axes and swords rather than guns. Gemmell wrote it while waiting to find out if he had cancer or not.  Luckily for him, he didn’t and he went on to write lots more books until his early death in 2006. I have all of them although none is more loved by me than his first.

It’s not the best-written book on my overladen shelf, but it is the one most dear to me.  The thought of not being able to pick it up and read it is not one I would like to dwell on.

Weaveworld – Clive Barker

Why this book hasn’t been given more attention since its publication I have no idea. It is a brilliantly told tale of fantasy mixed in with reality. A whole race of people being hunted to extinction are hidden by weaving them into a magical carpet. It sounds a bit bonkers, and it probably is but somehow it works.

I don’t know why it has never been made into a film or television series, although there is always the risk of ruining it by committing it to film. I also have a graphic novel version, which is very well done too.

Swan Song – Robert R McCammon

Another one that I have read countless times over and over. It’s basically an apocalypse story; the world has been destroyed by nuclear missiles and the survivors try to erm… survive.  But is is really well written. Each chapter is short, contains one major addition to the storyline and ends on a bit of a cliffhanger.  It was released at the same time as Stephen King’s The Stand which was unfortunate as King got all the plaudits. To me though, Swan Song is a much better book. Characterisation, plot twists, parallel narratives, it has it all.

9. Any words of writing wisdom? 

Only a couple. Be brave when your’e writing. The words are there, within that turnip of yours, and they will do no good until they come out. Be brave enough to commit them to reality, even if you then discard them as rubbish. The amount of brilliant ideas that I have lost over the years from not being brave enough or giving the time to write them down is tragic.

Be brutal, with your editing.  It can save you a lot of heartache when the time comes to show it to someone else. I have a thick skin, and can take criticism when given in the right way.  Sometimes though I have had advice from those who know better to really be brutal with cutting stuff that’s unwanted or unnecessary. It’s easy to become too involved and attached to your work, sometimes an outside view does really know best. Be willing to make those cuts.

10. Let’s make a movie of your book. Give me the high-concept pitch: 

OK (said in deep rumbly trailer guy voice)

In a world where violent murder happens every day, only one man, Samuel Weaver(Tom Hardy/Tom Holland – any of the Toms) is brave enough to search out the truth.

He must face an unearthly killer with supernatural powers, an evil cult led by a man who seems to be above the law, and the horror of his own brutal and shadowy past.

WATCH, as he meets the mysterious and drunken Edward Higgins (Benedict Cumberbatch/Johnny Depp/Robert Downey Jr)

SIGH, as he falls in love with the beautiful but doomed Alice (Emma Watson, or Emma Stone – any of the Emmas)

SCREAM IN TERROR, as he faces terrible demons, from the depths of hell, and from his own twisted mind.

Domini Mortum – Sometimes the darkest evil is within.

Social media contacts: 

Twitter @cpholbrook

Unbound URL:  www.unbound.co.uk/books/domini-mortum 

Previous publications:  

Memento Mori - a type of prequel to Domini Mortum.  Available on Amazon at https://www.amazon.co.uk/Memento-Mori-Paul-Holbrook/dp/1530722675/ref=sr_1_6?ie=UTF8&qid=1530440555&sr=8-6&keywords=Memento+mori

Big thanks to Paul for his time. As he says, the book is coming soon, so keep an eye out for it!

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