Blog tours and reviews

Hi all

Here’s the text of an update I posted over on Unbound’s site for East of England, though it makes sense to have it copied here too.

East of England has been out for a fortnight now, and most folk seem to like it, which is gratifying. If you've been able to leave a review already then thanks very much! If you haven't (or plain haven't got around to reading the book yet), then please consider leaving your thoughts - however brief - on Amazon, on Goodreads, and/or elsewhere on social media. For smaller publishers like Unbound, and for little fish in the writing pond like me, these things really matter, and can help get word of the book out to wider potential readerships. 

If you've not picked up a copy yet, then here's a chance for you!

The publishers have organised a blog tour - basically a sequenced run of interviews, extracts and reviews from crime fiction-oriented book bloggers - which starts tomorrow (Monday 11th Feb, as I'm writing this up on Sunday morning). I'll do what I can to promote this through the ten day run of this tour, but again, anything you can do support-wise (as well as reading what the different bloggers have got to say on the book) is both valuable and appreciated. 

East of England blog tour details

East of England blog tour details

Third, those who've read East of England will have seen (and maybe even read) the opening pages of a continuation novel - the second in a potential series - titled Canine Jubilee. That book again will be crowdfunded via Unbound, and there'll be some stuff coming out about that hopefully in the next few days. 

Fourth and finally, check out my brother Max's page for Field Notes - also being crowdfunded by Unbound - and consider backing the book. Details on that are here

That's everything for now. Thanks for the continued support!

Sign up to my newsletter here.

Details on all of my books here.

East of England - update 17th July

Hi all!

Here's where we are with East of England. Those of you fine folk who have already pledged to the support the book should have received an email spelling out some of this, so apologies for any duplication. As noted in that email, Unbound break down their route to publication into ten stages:

  1. Funding target reached

  2. The final draft of the manuscript is delivered.

  3. The editor edits. And edits.

  4. Cover and artwork design begins.

  5. The copy editor reviews the manuscript for consistency.

  6. Typesetter formats manuscript for printing

  7. First proofs come back and are sent to the proofreader

  8. Final edits are made

  9. Artwork finalised

  10. Final proofs go to press

Where are we? We're at stage 3 of that process. I delivered the manuscript of the novel at the weekend (after two full drafts and what felt at the time like a thorough tidy-up), and it's now in the wildly-capable hands of its editor. Those who pledged to have their (or a loved one's) name featured in the novel have had the appropriate name included... 

There'll now be a period of to-and-fro between the editor and me, first on the overall structure of the book, and then on the writing at the level of paragraph, sentence and word. Basically, the editor acts as a critical friend / constructive critic to help ensure that East of England a) makes sense b) is great c) doesn't have any errors / mistakes / unwarranted weirdness in it.

This part of the process will take a few weeks, not least as it's summer and we'd all rather be outside making sandcastles and flicking towels at each other than being hunched over a laptop, grumbling at a manuscript.  

There'll be update emails from Unbound throughout the process to publication, and I'll do the same, hopefully explaining stuff along the way. 

In the meantime, writing on other stuff continues apace. I'd tell you more, but I wouldn't want to spoil the surprise. 

The pledges / pre-orders will remain open to let other fine folk get on board to receive the acclaim and glory that being a crowd-funder and an arts patron brings. So, if you either want to get copies for others, or simply like having multiple copies o the same book on your shelves, you can make those pre-orders here

Also, if you're so minded I thoroughly recommend pre-ordering (also from Unbound) my brother Maxim's book Field Notes

Thanks!

Eamonn

—-

Sign up to my newsletter here.

Details on all of my books here.

10 questions: Maxim Peter Griffin, author/artist of Field Notes

As you know, I'm currently crowdfunding my new novel East of England through Unbound Publishing. And I'm not alone! So, I've asked a few fellow writers on Unbound's current roster to give a quick overview of their writing work, and the book they're crowdfunding themselves in a ten questions format. 

Today's 10 questions is a little different, if only that the subject is a brother of mine who's also currently crowdfunding via Unbound. Here's Maxim to explain a little more: 

1. Who are you and what’s your book about?

My name is Maxim Peter Griffin. I draw.

werner616.jpg

What the book is about is a tricky one – on one level it’s a nice book of drawings of Lincolnshire with some bits of writing about the countryside. On another it’s about the ghost mammoths and Brexit and stellar death and Doggerland.

Half-haikus about flint – big stuff across a landmass – being simultaneously huge and tiny in the face of cosmic indifference and the Jolly Fisherman

Field Notes is sometimes really mournful ( there’s a lot to mourn ), sometimes full of idiot glee –

2. Why should folk read your book?

It doesn’t matter if they do or don’t, really –

Field Notes is beyond the point of failure already, 95% of what is in the book has already occurred, been drawn or walked or what have you – I’ve had my nourishment  … a large part of making these experiences and actions into a book is an administrative procedure… a fun one, mind you

3. What’s the appeal of your book? 

Field Notes is wild. Wilder. Often rather fucking livid. But full of marshes – that’s what people like isn’t it? angry marshes?

4. Sounds great! Where/when can I get hold of a copy? 

Soon enough, after the hurly-burly of crowdfunding is done.

5. Describe a typical writing day, or at least a typical day with some writing in it:

5 am – dogs out

6 am – back with dogs

Make notes after walk

Drawing between 9 and noon

Later – when house is quiet, make more notes – maybe type them up to see how they look.

[Question 6 - the one about books about writing - went unanswered]

werner157.jpg

7. Pick three books that have influenced or inspired you as a writer:

Mr Palomar by I. Calvino

Haunted Houses by E. Maple and L. Myring

The Mound People by P.V Glob

8. Pick three desert island books - works you couldn’t live without:

I’ll have a really sweet atlas please.

maybe Seven Pillars of Wisdom or the old Penguin Book of Welsh Verse

and my copy of Wind in the Willows ( no other editions thanks )

9. Any words of writing wisdom?

Read. Look. Listen. Walk. Cook.

Keep dated notes on everything.

Don’t be an Artist, never go on a Journey.

10. Let’s make a movie of your book. Give me the high-concept pitch:

Mad Max 2 but on foot near Mablethorpe and the anti-hero is his own Humungus – filmed on VHS

Get Werner Herzog to direct. Or Alex Cox. Werner Cox/Alex Herzog

Soundtracked by quarter speed Lark Ascending played on mellotron

werner158.jpg

Social media contacts: @maximpetergriff

Unbound URL: https://unbound.com/books/field-notes/ 

Huge thanks to Max for playing along. Field Notes is great - I've seen some more of the work in progress, and naturally, I've backed the project myself - it comes at you like a mix of Raymond Briggs and AW Wainwright. Who can resist that kind of combination? Surely not you, which is why you feel irresistibly drawn towards pledging ...