Hi all. First up, here's the call to action: my new novel East of England is crowdfunding now via the fine folks at Unbound, who are experts in this kind of thing, and I'd love for you to help make East of England a reality. You can do so by following the link to Unbound's site, where you can find out more about the book (there's a video, a synopsis, and a sample from the beginning of the novel) and about how you can support it.
If you don't know much about crowdfunding, here's how it works.
First, the book's written. Don't worry about that bit. I've taken care of that for you.
Second, fine people taste and distinction - very much like you, dear reader - decide if they want to support the project. As the Unbound site shows, there are different levels of what they call 'pledges' - essentially, pre-orders - (ebook, paperback, special editions with mentions in the book, even the chance to have a character renamed after you, and so on) - at different price points.
When the funding target is reached - the amount of cash needed to edit, proofread, and copyedit the book by salty professionals, plus marketing and promotion to get it into bookshops and so on, as well as printing, cover artwork and all the behind-the-scenes stuff - then the book becomes live, gets finished off and sent out to you.
Johnny-Come-Lately can, of course, then buy East of England from Amazon / Waterstones / HIve / your friendly neighbourhood independent bookshop / the supermarket / WH Smiths, but what he and his similarly tardy chums won't get is a) to be the first and to have an active hand in bringing the project to life, and b) the chance to brag that you are now a patron of the arts.
Remember, if the book doesn't reach its funding total - progress can be checked on Unbound's website - then the book doesn't get published, and everyone who's pledged to support it gets their pledge money back. So there's no risk to you from that point of view.
How long all of this takes is up to the public. Some projects get funded in days, some take a few months. Some, it has to be said, never reach that point. And I don't want to be in that category. And you don't want that either. Do you?
Here's how the book came to life.
I've had the idea for the opening - it's the scene used as the sample which you can find on the Unbound site - for years. I tried writing it as the beginning of a screenplay, but never quite had a story to go with it.
Early last summer (2017), I was struggling with a different piece of writing - my long-gestating novel about Francis Walsingham which will get finished one day, oh yes - and I went back to this scene. Sat down. Wrote. Got to about 15,000 words, and took a break. It didn't read too badly, and it was quick in comparison because I was working with elements that I had in my head - a more-or-less contemporary setting, locations familiar to me - rather than cross-checking everything in history books. I took a break, because of moving house.
At about this time I saw a tweet. A call for submissions from a chap called Simon Spanton at Unbound. Send us a sample of your work etc. So I tidied up the first 10K words and sent it through. Nothing ventured, and so on. I carried on boxing up stuff. I heard back a few weeks later. Simon said he liked the sample. Is there more?
Nothing engages the sweet spot between creative endeavour and harnessing a bum to a chair than someone saying they'd like to see a full manuscript that you haven't got yet. So, that was October and November taken care of.
And here we are. The book's written, though in its raw state pending the full quantity of pledges being received. I really like it, and I really enjoyed writing it. The folks at Unbound have been both incredibly supportive and professional in ways that makes you realise there's more to this publishing lark than tall afternoon drinks in swish hotel bars over industry gossip about so-and-so at such-and-such.
The next bit is over to you. Have a look at the details about East of England. Hopefully, you'll see - like Simon and his colleagues - that there's something worth supporting, and a book that's worth reading, and you'll make a pledge.
Thanks for reading. And for reading.